Set against a dark and tumultuous backdrop, Une Nuit sur le Mont Chauve immerses us in the folklore of the witches' sabbath. At the edge of night, the boundaries of reality blur; metamorphoses unfold, revealing the supernatural.

The filmmakers’ use of pin-screen animation yields organic, grainy imagery—shades of black and white that convey the fluid continuity of these transformations.

The musical composition engages with this interplay of light and shadow, seeking to inhabit these liminal states. The grain of the image and the sound echo one another, while jerky sequences accelerate and mutate. Metamorphosis thus becomes the very site of the composition—a substance in a constant state of forming and unforming.