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15:00 | Conservatoire de Nice

Saturday 3 May

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Jean-Luc Hervé

COMPOSITION

DURATION

120 Minutes

MASTERCLASS
Masterclass of Composition with Jean-Luc Hervé

Jean-Luc Hervé’s masterclass in composition offers an immersive exploration of contemporary musical creation, drawing on his deep engagement with spectral techniques, spatialized sound, and site-specific composition. As a composer whose work bridges rigorous theoretical reflection with a sensitivity to the acoustic and environmental context of music, Hervé provides participants with a unique perspective on the act of composing.

Core Themes and Artistic Approach

Hervé’s masterclass is structured around key aspects of his compositional philosophy:

  • Perception and Sound Material: Inspired by his studies with Gérard Grisey and his research at IRCAM, Hervé encourages a heightened awareness of how sound is perceived and transformed over time. He challenges participants to refine their approach to timbre, harmonic textures, and spectral resonance.

  • Spatialized Composition: A hallmark of his work, spatialization is not merely a technical aspect but an integral part of the musical form. Hervé shares techniques for working with diffusion, movement of sound sources, and site-specific acoustics.

  • Interdisciplinary Dialogue and Concert-Installations: His interest in installations and non-traditional concert settings influences the workshop, pushing students to consider how music interacts with physical spaces and visual elements.

  • Micro and Macro-Form: Participants are encouraged to think about musical structure at both the microscopic level (detailed sonic textures) and macroscopic level (overall formal architecture).

Pedagogical Approach

Hervé’s teaching method combines theoretical discussions, score analysis, and practical workshops. Students receive individualized feedback on their compositions, with an emphasis on refining their personal language while integrating new technical and conceptual tools. The masterclass also includes collaborative exercises, inviting participants to experiment with ensemble writing, electronic elements, and spatial configurations.


This masterclass is an opportunity for young composers to engage with one of the leading figures in contemporary composition. With his background in both theoretical research and large-scale creative projects, Jean-Luc Hervé provides invaluable insights into the challenges and possibilities of writing music today. Participants leave with a deeper understanding of sound, space, and form, as well as concrete strategies for developing their own artistic voice.

Né en 1960, il fait ses études au Conservatoire Supérieur de Musique de Paris avec Gérard Grisey. Il y obtient un premier prix de composition. Sa thèse de doctorat d’esthétique ainsi qu’une recherche menée à l’IRCAM seront l’occasion d’une réflexion théorique sur son travail de compositeur, sa résidence à la Villa Kujoyama de Kyoto un tournant décisif dans son œuvre. Sa pièce pour orchestre Ciels a obtenu le prix Goffredo Petrassi en 1997. En 2003 il est invité en résidence à Berlin par le DAAD. Ses deux disques monographiques ont reçu le coup de cœur de l'académie Charles Cros. Il fonde en 2004 avec Thierry Blondeau et Oliver Schneller l’initiative  Biotop(e). Ses œuvres sont jouées par des ensembles tels que l’Ensemble Intercontemporain, Court-Circuit, Contrechamps, Musik Fabrik, KNM Berlin, Divertimento, Orchestre Philharmonique de Radio-France, Orchestra della Toscana, Berliner Sinfonie-Orchester. Une partie de son travail actuel consiste en des œuvres de concert-installation conçues pour des sites singuliers. Il est actuellement professeur de composition au conservatoire à rayonnement régional de Boulogne-Billancourt et est édité aux éditions Suvini-Zerboni Milan.

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